Sally Collins

Sally Collins graduated with an MA (distinction) from Birmingham City University in 2008. Her work from her ‘Make Do and Mend’ range has been described as, “an example of an artist maker whose work is thoughtfully considered, highly accomplished and ready to hold its own in an international market.”

"The main focus of my work lies in the exploration of the evolution of form and ornamentation. In my most recent body of work 'Make Do and Mend' I have created a range of jewels from second-hand fabric, crochet, lace, heat treated copper and gold-plated elements. I aim to explore a traditionally domestic approach to recycling and sustainability, whilst following the progression of form and decoration through an evolution of scale, density and eccentricity.

Throughout history, and particularly during World War Two as a result of severe rationing, housewives were forced to make the most out of what they already had through the repairing, reassembling and revamping of household objects and possessions. In terms of linen and clothing the term 'Make Do and Mend' was adopted. Clothes were turned inside out, frilly collars were crocheted onto dresses, knitted garments were unpicked and re-knitted and embroidery was added to tablecloths, dresses and napkins.

My concern is not only with the ecological benefits of re-using and re-inventing something old, discarded or forgotten, but with the beauty of the history of an object when it has been passed down through a family or transformed into something else for another purpose.

I take old pieces of fabric, scraps of lace and wool and try to imbue new life into them by creating compositions of layered pattern, colour and form. Emphasis is placed on excess detailing and frills, taking pleasure in unusual or abundant combinations of fabrics and textures. My jewellery strives to explore the concept of the 'Superfrilly' and ask the question, 'When is enough really enough?'."